Showing posts with label The Clash. Show all posts
Showing posts with label The Clash. Show all posts

Sunday, June 2, 2013

Neckties; Or, Adventures in Vasoconstriction, Part III


Although I learned during week one that they were not mandated by the company dress code, I continued wearing neckties to my new job until week three: mostly because, for yours truly, the image of me in a necktie was as novel a sight as a gorilla in a shopping mall reading Anna Karenina. The novelty has since lost its affect like similes with gorillas or puns on the word “novel” and with summer fast approaching (let’s hope Greenland doesn’t start thawing again), only the hipsterest hipster could bear wearing a sweat-slopped business-noose for the sake of ironic self-parody.

The lesser reason that I kept wearing ties was as a social experiment: do people treat necktie-wearers differently? I discovered that the courtesies and hostilities of everyday urban social interaction remain: what changes is who exchanges what.

For example, in my non-work attire, I accidentally happened upon Chevy's: a menswear shop on 86th Street in Gravesend. The moment I entered, the owner, sitting behind the counter, asked, with a very subtle enmity:

“Can I help you?”

I responded “just browsing!” and began perusing his wares. Much of it was Italian-made, which meant, to my own paranoid, left-wing head, that I could buy something and not fear that it came from a sweatshop.

As I walked to the back of the store, the owner rose and began sneaking quick glances at me, strongly resembling nervous butler with a peasant in his midst. I felt self-conscious and unwelcome. When I approached a rack of neatly-hung jeans, the contempt he held for my class and kind became clear:

“Those jeans cost $135. Is that a problem?”

Such a question can only be asked to humiliate. “No,” I lied, “that’s not a problem,” but I nevertheless considered buying a pair just to best him. I smiled savagely and asked if he carried the jeans in a size 29.

“I don’t,” said the sallow, class-prejudiced, pathetic little fuck.

“That,” said I, Shakespearean, triumphant, “is a problem,” and I left, mouth puckered inward, teeth clenched tighter than a streetfighter’s fist.

Blatant classism is bad enough, but I was more disturbed by how my peers, or those whom I would regard as such, treated me when I wore a tie. In the subway, my fellow countercultural twentysomethings, with their piercings, thrift-store clothing and chunky headphones blasting almost loud enough to drown-out their student loan anxieties, no longer looked at me with an acknowledgement of <DROOG> in their eyes. No matter what your actual job entails (I would consider my line pro-social), no matter how much David Graber or Michel Foucault you’ve read, and no matter that you’ve listened to every song on Sandinista! at least twice, a necktie immediately makes you The Man.

The absolute worst, however, was the socially-engineered, resentful obsequiousness of the very poor; the exaggerated nicities that we assume we should bestow on those of high rank. Having that directed at me was the straw that broke this camel's heart.

Thus lay a mess of neckties on my dresser table, gathering the same dust that all things, splendid and decrepit, generally do.

Sunday, February 3, 2013

12 Classic Youth (Un)Employment Songs

I like to think of the following as coming-of-age music. They all highlight that pivotal point in our lives when we confront the impracticality of our greatest aspirations: an inevitable, albeit difficult part of growing-up. If you're in that proverbial boat, may these songs - angry yet empathetic - lend you some comfort.
***


“Career Opportunities,” by The Clash
Emphasizing the whole youth thing, here's the version on Sandinista!, sung by Mickey Gallagher's (the keyboardist from Ian Dury and the Blockheads) two boys.



“Ghost Town,” by The Specials
Reckless driving through deserted streets... written after a visit to Glasgow.


“Living with Unemployment,” by The Oppressed
I was first introduced to the Newtown Neurotics version of this song, but The Oppressed, an anti-fascist skinhead band, wrote it first. Both versions are excellent.


“When You’re Young,” by The Jam
"Swallow your youthful pride!" belted The Jam to a bunch of teens, live on Something Else. And then the end credits start rolling.


“The Government Administrator,” by Eggs

Indie rock song about deciding whether or not to apply for a job you don't really want, while waiting among a sea of other nervous applicants, with that demon on your shoulder reminding you that time is running out.


“To Have and Have Not,” by Billy Bragg
Leave it to Billy Bragg to powerfully-link youth unemployment with the structural defects inherent in capitalism:
"At twenty one you're on top of the scrapheap
At sixteen you were top of the class
All they taught you at school
Was how to be a good worker
The system has failed you, don't fail yourself"


“What’s Happening Brother?” by Marvin Gaye
Coming home from the Vietnam War to a country in socio-economic mailaise.


“Young, Gifted and Skint,” by New Model Army
There's probably a Nina Simone/Lorraine Hansberry reference in that title... About being fresh out of university and heavily in debt: how relatable!


“Bastards of Young,” by The Replacements
A rallying cry for anyone experiencing the various quarter-life crises, (un)employment included.


“1 in 10,” by UB40
As in, one out of ten people unemployed in the United Kingdom during the time the song was written. A testimony to the apathy with which society regards the unemployed poor. The band itself is named after a claim form for "the dole."


“Wham Rap! (Enjoy What You Do?),” by Wham!
George Michael sings something vaguely political, but not politically-correct (I have full confidence that you’ll detect the lyric to which I am referring…)


“Hand in Pocket,” by Alanis Morissette
We'll end this entry on a note of cautious optimism: "I'm young and I'm underpaid, I'm tired but I'm workin', yeah!"

Indeed, as Alanis consoles:
"No one's really got it figured out just yet"